NO LLOYD

baconsavingcosplay:

Circle Skirt Tutorial by Kapalaka

Circle skirts are one of the handiest things you can learn to make for cosplay.  As far as simple-to-make skirts go, there are two types: circle skirts and rectangle skirts.  A rectangle skirts is where you cut out a large rectangle, and gather or pleat all of the excess material until it will fit your waist, giving you a nice full skirt (we explained it in a bit more detail on this over here).

Circle skirts, on the other hand, give you a lot of nice fullness, but with minimal bulk at the waist.  For example, my Babs Bunny skirt:

It might not seem like it, but there are a ton of different things you can do with circle skirts.  Long circle skirts (as outlined in the tutorial) are perfect for ball gowns.  If you need less fullness, you can make a half circle skirt or a 3/4 circle skirt (just use a half circle or 3/4 of a circle, instead of the full circle).  If you need more fullness, make several circle skirts (make sure you adjust the waist measurement accordingly, i.e. for 2 circle skirts, use half your waist measurement on both of them), and sew them all together.  Here’s an example of that technique (with gathers and horse hair braid in the hem.  Tutorial for how she made it here)

You can add pleats or scallops in the hem, layer a whole bunch on top of each other, or whatever else you want to do:

I’ve even known some people to make capes and cloaks and the like using a circle skirt as the basis of their pattern.  So go forth!  Go forth and use circles!

(via kingkimochi)

ofmiscellany:

Cemetery Moss Terrarium by Twig Terrariums

(via baccan0pe)

rufftoon:

e1n:

storyshots:

Drawing from films

Drawing from films is a ridiculously useful exercise. It’s not enough to watch films; it’s not enough to look at someone else’s drawings from films. If you want to be in story, there’s no excuse for not doing this.

The way this works: you draw tons of tiny little panels, tiny enough that you won’t be tempted to fuss about drawing details. You put on a movie - I recommend Raiders, E.T., or Jaws… but honestly if there’s some other movie you love enough to freeze frame the shit out of, do what works for you. It’s good to do this with a movie you already know by heart.

Hit play. Every time there’s a cut, you hit pause, draw the frame, and hit play til it cuts again. If there’s a pan or camera move, draw the first and last frames.

Note on movies: Spielberg is great for this because he’s both evocative and efficient. Michael Bay is good at what he does, but part of what he does is cut so often that you will be sorry you picked his movie to draw from. Haneke is magnificent at what he does, but cuts so little that you will wind up with three drawings of a chair. Peter Jackson… he’s great, but not efficient. If you love a Spielberg movie enough to spend a month with it, do yourself a favor and use Spielberg.

What to look for:

• Foreground, middle ground, background: where is the character? What is the point of the shot? What is it showing? What’s being used as a framing device? How does that help tie this shot into the geography of the scene? Is the background flat, or a location that lends itself to depth?
• Composition: How is the frame divided? What takes up most of the space? How are the angles and lines in the shot leading your eye?
• Reusing setups, economy: Does the film keep coming back to the same shot? The way liveaction works, that means they set up the camera and filmed one long take from that angle. Sometimes this includes a camera move, recomposing one long take into what look like separate shots. If you pay attention, you can catch them.
• Camera position, angle, height: Is the camera fixed at shoulder height? Eye height? Sitting on the floor? Angled up? Down? Is it shooting straight on towards a wall, or at an angle? Does it favor the floor or the ceiling?
• Lenses: wide-angle lens or long lens? Basic rule of thumb: If the character is large in frame and you can still see plenty of their surroundings, the lens is wide and the character is very close to camera. If the character’s surroundings seem to dwarf them, the lens is long (zoomed in).
• Lighting: Notice it, but don’t draw it. What in the scene is lit? How is this directing your eye? How many lights? Do they make sense in the scene, or do they just FEEL right?

This seems like a lot to keep in mind, and honestly, don’t worry about any of that. Draw 100 thumbnails at a time, pat yourself on the back, and you will start to notice these things as you go.

Don’t worry about the drawings, either. You can see from my drawings that these aren’t for show. They’re notes to yourself. They’re strictly for learning. 

Now get out there and do a set! Tweet me at @lawnrocket and I’ll give you extra backpats for actually following through on it. Just be aware - your friends will look at you super weird when you start going off about how that one shot in Raiders was a pickup - it HAD to be - because it doesn’t make sense except for to string these other two shots together…

Since I’ve had people asking me about storyboarding and how to learn it or what exercises to do. Emma Coats tells you all you need to know in this post.

Reblogging because it IS a very useful exercise! You can even do it as a warm up drawing exercise before you start the day. It will get your brain (and hand) in the right mindset.

(via mrfeast)

basedquinlan:

draftgiraffe:

How to cut glass

This is cool

(via teabaggingtanuki)

helpyoudraw:

Clothing Folds (Part 1)

Adding the bigger version of the previously posted tutorial for the anons who couldn’t read it, also added the source. The second part will be added very soon. -ivona

(via gillyhoo)

(via ghostsock)

Kim Jung Gi, a work for Japanese magazine Monthly! Spirit.

(via donono)